Promo Only Music Video Torrent

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Contents • • • • • Suggested format This page describes the style to be used for releases, these releases should be titled as follows: Promo Only: Series Name, Month Full Year. A list of Series Names being currently issued can be found below. All Promo Only monthly releases should be listed as Promotional, and Compilation. The Month and Year should be stated in full (October, not “10” and 2006, not “06”). There is also a sister company in Canada:.

For those releases, use Promo Only Canada: as the initial title. There is also another sister company in the UK:. They do not at this time issue monthly subscription audio CDs, but they do issue Video DVDs, a couple of which have found their way into MB in the past. They should use the prefix Promo Only UK. Background Information Examples • Promo Only: Modern Rock Radio, October 2006• Promo Only: Alternative Club, March 2005• Promo Only Canada: Mainstream Radio, September 2004 Series Names Current series (and what they contain) are: • Radio Series • Mainstream Radio—Top 40 Radio edits.• Country Radio—Country singles.• Urban Radio—R&B & Rap edits.• Modern Rock Radio—Alternative Rock edits.• Rhythm Radio—Edits of dance singles and pop urban singles.• Dance Radio—Shorter radio friendly edits of dance singles.

The RIAA, the US recorded music body, has long waged a war against the illegal downloading of music from P2P sites – and received plenty of criticism for it. But why does the organisation, which represents Warner, Sony and Universal Music in the territory, take no prisoners when it comes to piracy? And is it making any progress? The RIAA has released a very revealing Q&A on key piracy-related subjects. MBW publishes the edited highlights below: What is the RIAA’s official stance on digital music piracy? Avg internet security 2014 serial key till 2025.

It’s commonly known as “piracy,” but that’s too benign of a term to adequately describe the toll that music theft takes on the enormous cast of industry players working behind the scenes to bring music to your ears. That cast includes songwriters, recording artists, audio engineers, computer technicians, talent scouts and marketing specialists, producers, publishers and countless others. While downloading one song may not feel that serious of a crime, the accumulative impact of millions of songs downloaded illegally – and without any compensation to all the people who helped to create that song and bring it to fans – is devastating. The law is quite clear here, and fortunately legal downloading is easy and doesn’t cost much. Music companies have licensed hundreds of digital partners offering download and subscription services, music video streaming, cable and satellite radio services, Internet radio webcasting, social networking music services, video-on-demand, podcasts, CD kiosks and digital jukeboxes, mobile products such as ringbacks, ringtunes, wallpapers, audio and video downloads and more. In fact, according to the global music trade body IFPI, there are now more than 13 million licensed tracks available on more than 400 different services worldwide. That’s great news for music fans and the industry alike.

What is the scope of the problem? Music theft is a real, ongoing and evolving challenge.

Both the volume of music acquired illegally and the resulting drop in revenues are staggering. Digital sales, while on the rise, are not making up the difference. Consider these staggering statistics: • In the decade since peer-to-peer (p2p) file-sharing site Napster emerged in 1999, music sales in the U.S. Have dropped 47 percent, from $14.6 billion to $7.7 billion. • From 2004 through 2009 alone, approximately 30 billion songs were illegally downloaded on file-sharing networks. NPD reports that only 37 percent of music acquired by U.S.

Consumers in 2009 was paid for. • Frontier Economics recently estimated that U.S. Internet users annually consume between $7 and $20 billion worth of digitally pirated recorded music. • According to the Information Technology & Innovation Foundation, the digital theft of music, movies and copyrighted content takes up huge amounts of Internet bandwidth – 24 percent globally, and 17.5 percent in the U.S.